Stephen Thrower: I saw it for the first time in the early 2000s, when I was working on my book Nightmare USA. When did you first see Dark August? What were your initial impressions? The books he’s penned include Nightmare USA: The Untold Story of the Exploitation Independents.ĭangerous Minds recently interviewed Stephen Thrower about Dark August and the American Horror Project series. Since the 1980s, he’s written extensively about unconventional horror films and filmmakers. American Horror Project: Volume Two is co-curated by musician and author Stephen Thrower. For an exploitation horror film, Dark August is remarkably restrained. There’s also a focus on pacing and mood, with on-screen bloodletting kept to a minimum. It has an appealing visual style, with camera framing and movement a priority. At its core, Dark August is a psychological film with supernatural elements.
country” subgenre, popularized by the recent box office success of movies like Deliverance (1972) and The Texas Chain Saw Massacre (1974).
In addition to the occult horror theme, the film makes good use of its rural setting, incorporating elements of the “city vs.
Academy Award winner, Kim Hunter, plays Adrianna, a “good witch” who is recruited to try to help Sal. Not only is Sal understandably haunted by the incident, he’s also the recipient of a curse, put on him by the bereaved grandfather of the dead girl. One day, he accidentally runs over a young girl with his jeep. The film concerns Sal, a middle-aged artist who has left the city behind for country life. Like the first set, the second box contains three movies, and this post highlights our favorite film in the collection.ĭark August (1976) was directed by Martin Goldman, and filmed on location in Stowe, Vermont during the summer of 1975. The first volume of AHP, which came out in 2016, is outstanding, and volume two is about to be released.
The films are all highly imaginative and unique works. The movies that make up Arrow Video’s American Horror Project series were made with modest budgets, but the makers of these ‘70s motion pictures were striving for something more than simply churning out another scary flick for the grindhouse and drive-in circuits.
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